About
Oct-Dec 2025
Publication
Adobe Illustrator
Adobe Indesign
Adobe Photoshop
The visual approach focuses on physical tools that function as mediums of communication, including a typewriter, keyboard, printer, and camera. Most images were photographed and scanned directly from these objects, then transformed through changes in scale, color, and texture. The primary typeface used is American Typewriter, referencing the mechanical origins of written media, while handwritten pull quotes highlight key ideas.
The cover design uses keyboard keys to form the word “Media” on the front cover, while the back rearranges the remaining letters from Understanding Media within the empty spaces. These visual elements emphasize McLuhan’s concept that the tools used to create messages ultimately shape how those messages are experienced.
Sep-Oct 2025
Book Cover
Adobe Illustrator
Adobe Photoshop
The visual approach draws from Art Deco aesthetics to capture the glamour of the 1920s, while abstracted black-and-white photographic backgrounds create a sense of timelessness and fragility. Each cover uses imagery connected to the story’s setting: a yacht scene for Tender Is the Night referencing its wealthy European resort lifestyle, a luxurious mansion interior for The Great Gatsby symbolizing Gatsby’s wealth, and Princeton University for This Side of Paradise, reflecting Fitzgerald’s own college years.
Three different Art Deco–inspired typefaces were used across the series. Color choices also reflect key elements of each story: a warm reddish-orange sunset for Tender Is the Night, green inspired by the symbolic green light in The Great Gatsby, and a soft purple with pink tones for This Side of Paradise, evoking youthful romance. A color layer between the title and the background image ensures legibility on the front cover, while the back cover centers the author’s name with a minimal border treatment.
Sep-Nov 2024
Publication
Adobe Indesign
Adobe Photoshop
Procreate
I designed two editorial spreads for the magazine, including “A Champion for the Liberal Arts,” which features an interview with Peter Struck, Stephen A. Levin Family Dean of the College of Arts & Sciences. I also created layouts for the recurring sections “Insomnia” and “Last Look.”
In addition to layout design, I illustrated small spot illustrations for the article “Emergency Response,” which discusses collaborative approaches to addressing complex global challenges such as climate change. These illustrations were designed to support the editorial content while adding visual clarity and engagement to the spreads.
2023
Editorial
Adobe Indesign
Adobe Photoshop
Drought imagery and a sans-serif typeface were used to emphasize the seriousness of the issue. A structured grid system, clear typographic hierarchy, and figure–ground reversal help guide the reader through the content while reinforcing the message of the article.
2024
Publication
Adobe Illustrator
Adobe Indesign
Adobe Photoshop
For the spreads, I incorporated imagery of fruits and vegetables to visually connect with the theme of vegan ingredients and natural beauty. The cover design plays with typography: the letter “O” in the title is rotated 90 degrees to resemble the shape of lips speaking, reinforcing the idea of “shouting” or sharing a message. The front and back covers are designed as inverted compositions, creating a visual relationship between the two sides.